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Some of the most compelling film music of the past year appeared not on the big screen but on the small one. Michael Giacchino's score for the TV show "Lost"--the tale of several dozen plane-crash survivors marooned on a vaguely supernatural, "Tempest"-like island--has unsettled millions of American viewers with an eerie array of orchestral sounds: fluttery four-note figures, shivery tones produced by bowing strings near the bridge, nasty glissandos on the trombone, and, at moments of maximum tension, a low plucked note on the harp. According to convention, harps are called upon to herald angels or other vessels of goodness. Giacchino makes the instrument gaunt and ...