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UNMAKING THE WORLD.(Theater Review)

The New Yorker

| June 06, 2005 | Lahr, John | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Pain unmakes the world. A simple toothache is enough to wreck your thinking. Pain somehow renders you inarticulate; in fact, it makes words impossible. Now let's talk about terror. As Hilaire Belloc said, terror causes a sudden "paralysis of the soul": the mind is destabilized; it resists complexity, becomes prone to misjudgments. A passion for life is replaced by a passion for ignorance. This is the chilly, demoralized internal climate that the Siberian brothers Oleg and Vladimir Presnyakov try to capture in their smart, saturnine meditation "Terrorism" (crisply directed by Will Frears, at the Clurman/Theatre Row). The play, which was written a year before September 11, ...

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