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PERSONAL MATTERS.(New York City Ballet)

The New Yorker

| June 06, 2005 | Acocella, Joan | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Like a poker player laying down a royal flush, New York City Ballet, at its spring gala, on May 4th, staged five ballets new to the company. What they added up to, though, was maybe a pair of sixes. Several of the ballets were just brief pas de deux, made by dancers in the company: Benjamin Millepied, Edwaard Liang, and Albert Evans. Millepied's piece, "Double Aria," to music by Daniel Ott, was a taffy pull for two of the company's handsomest, most long-limbed dancers, Maria Kowroski and Ask la Cour. Kowroski doubled over backward; she danced upside down; she spiralled down la Cour's leg like a snake on a stick. None of this seemed to signify much--the piece was basically ...

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