AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
In the late fifties, Mike Nichols and Elaine May improvised their way into American theatre history. Their intellectual high-wire act took sketch comedy from the ersatz to the authentic, and Nichols and May became the bedrock beneath all the most probing postwar standup acts, from Mort Sahl to Lenny Bruce and Woody Allen. (Allen even wanted to write for them.) At the center of the team's humor was May's sense of daring. "The only safe thing is to take a chance," she told Nichols, who was both amazed at her moxie and inspired by her trust in him. Those issues--of trust and daring--are what May dramatizes in "Curtain Raiser," the first and most exuberant of three one-acters ...