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It was in Paris that the liquid revolution of "Tristan und Isolde" first entered the bloodstream of the world. Wagner conducted the Prelude to the opera at three concerts in 1860, baffling most of the audience with his art of endless melody, his chords of longing that never resolve. But the bohemians of Paris fell into a trance--at one of these concerts, Baudelaire experienced "love unbridled, immense, chaotic, raised to the level of a counter-religion, a Satanic religion"--and the phenomenon of Wagnerism began. Shock effects of the mass-market or avant-garde variety are now so routine that we no longer know what it's like to go slowly, majestically, and irreversibly over ...