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Tennessee Williams's masterpiece "A Streetcar Named Desire" (being revived in a Roundabout Theatre production at Studio 54) opened in 1947; the play, as Arthur Miller said, planted "the flag of beauty on the shores of commercial theatre." Among its many narrative sensations was the first sighting on the American stage of a sexual male--the priapic palooka Stanley Kowalski--and of sexuality as the engine of life. George Jean Nathan, one of the production's few dissenters, dubbed Williams a "genital man." "The play might well have been titled 'The Glans Menagerie,' " he wrote. As usual, Nathan was wrong. "The Glass Menagerie" (1945) looked backward to the thirties and to ...