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STREETCAR UPDATE.(The Talk of the Town)(Natasha Richardson)(Edward Hall)(Interview)

The New Yorker

| March 28, 2005 | Ross, Lillian | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The Roundabout Theatre's production of Tennessee Williams's "A Streetcar Named Desire"--the play's sixth on Broadway since the original, with Marlon Brando, opened, fifty-eight years ago--begins previews next week at Studio 54. After rehearsal the other evening, the director, Edward Hall, and his Blanche, Natasha Richardson, hung around, mulling over plans. They already appeared to be palpably overtaken by the drama. Richardson, who usually is, in her own persona, elegantly calm, looked frail, her shoulders slumping, and huskiness creeping into her voice. Her hair, in the service of her character, was bleached a strawlike blond. Hall, who is thirty-eight, with an unruly thatch atop his head, exuded confidence and determination.

"Everything that was said about the play when it opened in 1947 is absolutely useless for directing," he said. "The reviews were always commenting on what the play means, instead of the way Williams makes the conversations happen."

"I had no interest in doing ...

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