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RENAISSANCE MAN.(Leonardo da Vinci)

The New Yorker

| January 17, 2005 | Gopnik, Adam | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

When I was a teen-ager, I wrote a science-fiction story about Leonardo da Vinci. In it, a young art historian becomes fascinated with Leonardo's otherworldly paintings, with their strange rocky backgrounds, unplaceable landscapes, and enigmatic not-quite-human saints, their single fingers forever pointing strangely upward. To make a long, and rather shamelessly Rod Serlingish, story short, the art historian eventually discovers, in a previously unknown codex, that Leonardo was an alien, that the rocks were the landscape of his native planet, and that the fingers were pointing longingly back home.

Sensing, sadly but with characteristic prescience, that the market ...

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