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Why The Andy Griffith Show is important to popular cultural studies.

Journal of Popular Culture

| November 01, 2004 | Vaughan, Don Rodney | COPYRIGHT 2004 Blackwell Publishers Ltd. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

THE ANDY GRIFFITH SHOW IS A NOSTALGIC AMERICAN POPULAR cultural masterpiece valid for all time. Consistently ranked in the top ten television shows (and number one during its last season), The Andy Griffith Show ran on CBS from October 3, 1960, through the end of the 1967-68 season. It has had perpetual mass appeal in syndication, and since its debut, it has never been off the air. Learning its origins, revealing some behind-the-scenes aspects, and reviewing many of the episodes have led to the identification of specific factors that have contributed to the show's phenomenal success and endurance.

The Andy Griffith Show is not about reflecting or projecting reality. The producers and writers did not attempt to blend the real world and the fictional world. Although some of the episodes made references to real movies, real TV shows, the Korean War, and FBI Director J. Edgar Hoover, the scripts never alluded to current events, not even to the four Nixon-Kennedy debates taking place during the first few weeks of The Andy Griffith Show.

The serenity of Mayberry was seemingly uninfluenced by hard news. In this respect, Mayberry is like the eye of the hurricane, a place of tranquility in a world of anything but that. Mayberry's problems and stressors were anything but the problems and stressors that most faced in the 1960s: unemployment, overcoming obstacles to voter registration, the quest for civil rights as Americans, sons fighting in a no-cause war, the uneasiness over the risk of nuclear war--the list could go on. Had the writers reflected the happenings in the real world, the show would have likely bottomed out in the ratings. Instead, it offered an avenue of escape from life's vicissitudes by depicting the simple life with small, solvable problems.

In spite of the hard news, the simple life of Mayberry thrived. In all 249 episodes, there are no mentions of fallout shelters, Vietnam, Cuba, Castro, Khrushchev, President Kennedy, the racial and student riots of the 1960s, the civil rights movement, or the Reverend Martin Luther King. Mayberry is immune from hard news.

The Show's Origins

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