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Dvorak: Cello Concerto; Strauss: Don Quixote.(Brief Article)(Sound Recording Review)

Sensible Sound

| September 01, 2004 | Puccio, John | COPYRIGHT 2004 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Dvorak: Cello Concerto; Strauss: Don Quixote. Mischa Maisky, cello; Zubin Mehta, Berlin Philharmonic Orchestra. DG B00002054-02.

This live recording of Dvorak and Strauss with Maisky, Mehta, and the Berlin Philharmonic from 2002 strikes me as remarkably unremarkable.

Despite a brisk tempo, the performance of the Dvorak never seems to come alive; it hasn't the moody distinction of Rostropovich's old recording with Karajan, also with the Berlin Phil (DG), or the masculine power of Starker's version with Dorati and the LSO (Mercury). Instead, Maisky, a pupil of Rostropovich and Piatogorsky, plays the score letter-perfect, even excising what he says are some of the traditional distortions piled up in it over the years, and winds up with a bloodless rendition. Go figure. Richard Strauss's Don Quixote comes off better, but only because the music ...

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Source: HighBeam Research, Dvorak: Cello Concerto; Strauss: Don Quixote.(Brief Article)(Sound...

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