AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
Byline: Malcolm Beith
Visiting Cuba tends to produce more questions than answers. How has the country's unique brand of socialism managed to stay afloat in the face of a strict U.S. embargo? How can the Cuban people remain so proud of their system when they live in such despair? When Fidel Castro dies, what will happen? And how in the name of Che did these islanders learn to dance so well?
In "Last Dance in Havana: The Final Days of Fidel and the Start of the New Cuban Revolution" (272 pages. Free Press ), The Washington Post's Eugene Robinson poses similar questions. Using music and dance as his window, he illuminates a huge swath of Castro's Cuba. "Today all of Cuba dances to live; today all of Cuba lives to dance," writes Robinson. Understanding the rhythms and tensions of Cuban dance is critical to understanding the country. To escape abject poverty, Cubans dance each night as if there is no tomorrow. But dance also serves as a metaphor: ordinary Cubans, desperate for U.S. dollars to buy luxuries like medicine and fresh milk, delicately tip-toe the line between Castroism and capitalism to earn more than their allotted share. Everything in Cuba is a dance--and there is no better dancer than Castro.
For 45 years, El Comandante has held forth on the diplomatic dance floor. He cleverly courted the Soviet Union while breathing fire at the imperialistas to the north. When the ...