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Avoid choppy waters by extending copyright term.(Viewpoint)

Music Week

| June 05, 2004 | Morris, Tony | COPYRIGHT 2004 CMP Information Ltd. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In December it will be 50 years since Bill Haley first hit the UK charts with Shake Rattle and Roll.

In the EU, sound recording copyrights expire 50 years after the end of the year in which a record was first released. There are murmurings about lobbying for an extension of the copyright but, to date, nothing has been done.

With 2006 marking the 50th anniversary of Elvis' first showing in the UK charts and with The Beatles' records starting to fall out of copyright at the end of 2012, the issue is becoming more urgent.

Some argue that enhancing the original recordings with technical improvements creates a new copy right--there are those that beg to differ. The question may be one of degree rather than principle. With legal downloads making a belated showing to stem the tide of consumer indifference, the record industry needs this problem like another digital hole in its head. To prevent the destruction of the integrity of the original recordings, the entry into the public domain of late 20th century popular music will continue to shift further to the publishing ...

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