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The princess, persona, and subjective desire: a reading of Oscar Wilde's Salome.(Critical Essay)

Papers on Language & Literature

| January 01, 2004 | Marcovitch, Heather | COPYRIGHT 2004 Southern Illinois University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Oscar Wilde began to write Salome still enjoying, but being frustrated by, the critical attention given to his novel The Picture of Dorian Gray. The summer of 1890 had been exhausting for Wilde: Dorian Gray had been published in shorter form, and Wilde had written many letters to disgruntled reviewers defending the work, reluctantly pointing out the moral qualities in an art form he had previously claimed was incompatible with moralistic purposes. The newspapers' focus on whether Wilde lauded or deplored Dorian's actions directed public attention away from the novel's critique of image and desire. Dorian Gray actually is highly skeptical about the aestheticism Wilde ...

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