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WINNING AND LOSING.(The Talk of the Town)

The New Yorker

| December 22, 2003 | Gourevitch, Philip | COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

One day late last summer, as the tally of bombings, shootings, and acts of sabotage against the American occupation in Iraq took on the unmistakable profile of a war of guerrilla insurgency, the office of Special Operations and Low-Intensity Conflict, at the Pentagon, designed and distributed e-mail flyers with a cautionary headline: "how to win a battle against terrorism and lose the war of ideas." The e-mail invited those involved in the "wot"--the war on terrorism--to a private screening of the Italian Marxist director Gillo Pontecorvo's 1966 masterpiece, "The Battle of Algiers." The movie, which will be rereleased in theatres next month, is surely the most harrowing, and realistic, political epic ever filmed. It depicts the conflict between Algerian nationalist insurgents and French colonial forces in the late nineteen-fifties, or, as the flyer put it: "Children shoot soldiers at point-blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar?"

For all the differences between France's fight to keep Algeria--a country it had occupied since 1830--and America's current dispensation in Iraq, the parallels between the drama of insurgency and counter-insurgency in "The Battle of Algiers" and our present Iraqi predicament are as clear and as depressing as the Pentagon film programmers promised. The ugly truth that Pontecorvo lays vividly bare, as his camera tacks back and forth between the Algerian guerrillas and the French paratroopers, is that terrorism works. For, although the film focusses on a chapter in the Algerian struggle when France succeeded in crushing the rebel movement, the final moments of the movie show how within a few years the French were forced to accept defeat and retreat, an outcome that in retrospect appears historically inevitable.

Such is the bind that the Bush Administration has led us into in Iraq. Appalling, intolerable--in all senses, maddening--as the terrorist tactics of the Iraqi insurgents may be, their truck bombs, donkey-cart missile launchers, and sniper rifles are tactical political instruments that have steadily and systematically succeeded in isolating American forces in Iraq. They have effectively driven the United Nations, the international staff of the Red Cross, and other aid groups from the country, and--more disastrously--they have fostered a mutual sense of alienation between the American forces and the Iraqi people they are supposed to be liberating. Triumphalist pronouncements from Washington notwithstanding, our occupying forces are now clearly on the defensive. And the more aggressive their defense becomes, the more it serves the insurgents' purposes. When an American adviser in Iraq speaks of a new strategy of "terrorism versus terrorism," as Seymour M. Hersh reported in these pages last week, and an American lieutenant colonel tells the Times, "With a heavy dose of fear and violence, and a lot of money for projects, I think we can convince these people that we are here to help them," one may be forgiven for concluding that the enemy is defining the terms of the fight to his advantage.

In "The Battle of Algiers," there comes a moment when the commander of the French paratroopers, Lieutenant Colonel Mathieu, realizes that, despite a spate of strategic successes against the insurgency, he is losing the larger ...

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