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Hollywood's Anti-Star.(Tilda Swinton, actor in Norman Jewison's film, The Statement)(Interview)

Newsweek International

| December 22, 2003 | Thomas, Dana | COPYRIGHT 2003 Newsweek, Inc. All rights reserved. Any reuse, distribution or alteration without express written permission of Newsweek is prohibited. For permission: www.newsweek.com. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Tilda Swinton struts into the ornate government office in Paris and sinks into a Louis XVI chair, her long, pale legs provocatively askew. She looks quizzically at Sir Alan Bates. "Being summoned by a minister- -this is very mysterious," she says. "What's it all about?" This confrontation between Swinton's character, a French magistrate tracking down a former Nazi collaborator, and her uncle [Bates] is the pivotal scene in Norman Jewison's controversial new political thriller "The Statement." It is also the moment the flame-haired Swinton, a queen of the indie-film circuit, gets her long-awaited Hollywood close-up. "From the beginning, I wanted someone like Tilda for this role--extremely intelligent and strong," says Jewison. "There's a confidence in her work that I like and her instincts are so solid."

Swinton is Hollywood's anti-star, an actress who swats down the contemporary notion of her "day job" faster than you can say Nicole Kidman. She shuns the red-carpet limelight for her home in the Scottish highlands, where she lives with her beau, the artist John Byrne, and their 6-year-old twins. She has been known to read Nancy Mitford between takes and to quote poet Joseph Brodsky when trying to make a point. And she can comfortably reference both the artistic foundations of European haute couture and Santa Monica skateboarders in the same sentence.

Swinton likes to give directors and audiences the unexpected--like spreading her legs apart in front of an uncle. It's an approach--"a sensibility," she says--that can stir up long-suppressed emotions in viewers. It also makes her work a welcome alternative to the Botox- injected fluff rampant in Hollywood today; she recently won supporting roles in such mainstream films as "Adaptation" and "Vanilla Sky" in addition to her star billing in "The Statement."

It took her a while to get here. Swinton was born in 1960 in London to an Australian mother and a distinguished Scottish father: Maj. Gen. Sir John Swinton, former commander of the Queen's Household Guards and distant relative of Sir Walter Scott. She and her three brothers had a traditional upper-class British upbringing: nanny, boarding school in Kent (where Diana Spencer, the future princess of Wales, was a classmate), then on to Cambridge where she read English and political science. Upon graduation she joined the Royal Shakespeare Company, but dropped out after a ...

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