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Gerry Moira raised a hugely important issue in last week's Campaign Essay. Is the UK ad industry clinging on to an outdated and inefficient system by continuing to entrust its creative output to pairings of copywriters and art directors?
While film, TV and fashion have all embraced change in order to sustain their creative potency, advertising has often seemed hidebound by comparison.
It's not that the business isn't rethinking how it can deliver creative work more effectively. The blurring of the lines between writers and art directors is accelerating this process and it's becoming common for agencies to put together bespoke teams of people from a range of disciplines to meet the requirements of a creative brief.
The danger is that, in the rush to reform, it's easy to overlook the strengths of the creative pair system.
Nor should it be forgotten how the pairing system came into being. Once upon a time, agency writers worked in isolation, producing copy that was handed over to so-called 'visualisers' who worked on the layouts.
It wasn't until Bill Bernbach thought to bring the disciplines together that the concept of writer and art director pairings ...