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RESEARCH FELLOW OF THE FUND FOR SCIENTIFIC RESEARCH--FLANDERS (BELGIUM)
1. INTRODUCTION
AT THE DARMSTADT SUMMER COURSES of 1951, Karel Goeyvaerts and Karlheinz Stockhausen played the second part of Goeyvaerts's Nr. 1, the sonata for two pianos. Immediately after the performance, Adorno, who had taken the place of Schoenberg as the leader of the composition seminar, discussed the disproportion between the scoring and the economical use of the musical material: "Why did you compose this for two pianos?" Goeyvaerts's legitimation of his choice made clear that a composition seminar anno 1951 could not abstain from aesthetic and philosophical issues. ...