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Gillian Wearing.
Joos, Jean-Ernest
Musee d'art contemporain de Montreal
Montreal
26 fevrier - 20 avril
Le travail de Gillian Wearing, presente au Musee d'art contemporain de Montreal, sous le titre Mass Observation, traite de sujets a la mode. Ce n'est absolument pas un defaut, car il s'agit bien ici de preoccupations fondamentales de notre epoque qui se retrouvent traitees a travers les disciplines, la phiosophie, la litterature et les arts visuels. Comment reconnaitre la realite humaine dans sa singularite, comment la montrer ou la reactualiser, comment en transmettre l'experience, une fois que l'on s'est debarrasse des ideologies qui la masquent, que ce soit celle de l'individualisme bourgeois, du sujet moderne, ou de l'interiorite, bref de toutes les constructions identitaires qui ont conditionne nos habitudes de perception et de comportement? Ceci dit, lorsqu'un artiste intervient dans un sujet aussi actuel, il doit s'attendre a ce que l'actualite de son propos determine en meme temps les attentes du spectateur. Que sommes-nous en droit d'attendre sur une question qui ...
- Art demotique de Gillian Wearing.
- Magazine article from: Parachute: Contemporary Art Magazine Newman, Michael April 1, 2001 700+ words
L'art de Gillian Wearing a quelque chose de demotique...Il est demeure pres de la vie dans les rues et...desarmante, le travail de Gillian Wearing repose toutefois sur...allusion. La chose releve de la facon dont elle traite...publique par le biais de la ...
- Demotic art of Gillian Wearing.
- Magazine article from: Parachute: Contemporary Art Magazine Newman, Michael April 1, 2001 700+ words
Gillian Wearing has a demotic touch. Until recently, her art using photography...way of working, and a turning point. Intimacy and Embarrassment Gillian Wearing's work has seemed disarmingly direct, even immediate, and yet...
- Gillian Wearing, private I: in her first U.S. museum show, Wearing investigates...
- Magazine article from: Art in America Princenthal, Nancy March 1, 2003 700+ words
A big photographic Self-Portrait (2000) introduced a wonderful survey of Gillian Wearing's work at the Museum of Contemporary Art in Chicago, but she's not giving much away: her face is almost completely concealed...
- GILLIAN WEARING.(Brief Article)
- Magazine article from: Artforum International Schwabsky, Barry September 1, 2000 700+ words
GORNEY BRAVIN + LEE Aren't you allowed to win the Turner Prize twice? Gillian Wearing should have been a shoo-in again this year (she won in 1997) on the strength of her three-channel video projection Drunk...
- Gillian Wearing.(video art exhibition)
- Magazine article from: Art Monthly Walsh, Maria October 1, 2006 700+ words
Gillian Wearing Brindley House (Ikon off-site project) Birmingham September 9 to October 8 Family History, 2006, comprises two video installations...
- Gillian Wearing. (Preview).(Brief Article)
- Magazine article from: Artforum International Frankel, David September 1, 2002 700+ words
MUSEUM OF CONTEMPORARY ART Gillian Wearing's best-known image is probably still the photo from 1992-93 of a businessman holding a self-penned sign that says I'M...
- Gillian Wearing at Jay Gorney.(New York, New York)(Review of Exhibitions)(Brief...
- Magazine article from: Art in America Princenthal, Nancy January 1, 1998 700+ words
...of childhood arrived with the modern era, historians say; previously, children were treated as small-scale adults. Gillian Wearing stands this latter notion on its head in her 1997 videotape 10-16, the main event of the young British artist's first...
- Gillian Wearing at Interim Art.(London, England)(Review of Exhibitions)(Brief...
- Magazine article from: Art in America Feldman, Melissa E. July 1, 1997 700+ words
...Dear Abby and Nan Goldin were ever to collaborate, the resulting portrait-cum-testimonials might look something like Gillian Wearing's new photographs. For this show, her fifth London solo, Wearing revisited people she had encountered in previous works...