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Landscapes "dynamically in motion": revisiting issues of structure and agency in Thomson's The Seasons.(Critical Essay)
January 1, 2005... Eighteenth-century poetry has recently been celebrated as a field that is becoming increasingly exciting to work in, that has "opened out in several directions," and in which "new [poetic] voices" have begun to be heard. This recognition of the...
Fear of flying: Robert Lowell and travel.(Critical Essay)
January 1, 2005... ... the true shark, the shadow of departure.
--"Flight to New York," The Dolphin
Americans began traveling abroad in unprecedented numbers in what Robert Lowell called, in "Memories of West Street and Lepke," the "tranquilized fifties"...
Music's sentimental role in Tristram Shandy.(Critical Essay)
January 1, 2005... We may consider ourselves lucky that Laurence Sterne did not have the modern musical greeting-card at his disposal. Imagine opening Tristram Shandy at volume six and hearing a recording of asses braying "G-sol-re-ut" until the page was turned,...
It takes two to tango: text and image in Grand bal du printemps (1951) by Jacques Prevert and Izis Bidermanas.(Critical Essay)
January 1, 2005... Much of Jacques Prevert's artistic and literary production is widely known by academicians as well as by his favorite subject--the everyday person. There remains some work by Prevert, however, that has disappeared from the cultural radar. Why a...
In vino--et in amore--veritas: transformational animation in Herrick's "Sack" poems.(Critical Essay)
January 1, 2005... Upon his 1633 promotion to Archbishop of Canterbury, William Laud, initially in conjunction with Charles I, introduced a new form of Anglo-centric orthodoxy, designed in part to separate the English Church from the confessional and political...
Editors' notes.(Correction Notice)
January 1, 2005... Corrected Index for PLL Volumes 36-40
The editors would like to apologize for the unfortunate omission of entries in the five-year index for essays published in volume 40. We have printed the corrected index in the pages that follow. We...