Performing Arts Journal articles from May 1994

Performing Arts Journal archives from May 1994

Forget Kantor. (Tadeusz Kantor)
May 1, 1994... You are one in your memory. You are another in the time you cannot remember. Carlos Fuentes, Terra Nostra The folding or doubling is itself a Memory; the "absolute memory" or memory of the outside, beyond the...

Goran Stefanovski's Sarajevo or Sara in the horrorland.
May 1, 1994... There were many others who have sang about you but there was no one who has sang and cried about you while touching your silver soul like an open wound --Abdulah Sidran I can't think of any other playwright from the former Yugoslavia's...

Sarajevo (Tales from a City). (drama)
May 1, 1994... CAST OF CHARACTERS: SARA: Researcher and Architect / UNHCR Nurse / Hasanaginica / Linn / Refugee / Rabbi RUDI: Postman / Officer 1 / Diplomat Steward / Santa Claus / Skinhead / Major Tankosic GORCIN: Fireman / Prince Constant...

Waiting for Godot in Sarajevo.
May 1, 1994... "Nothing to be done."/"Nista ne moze da se uradi --opening line of Waiting for Godot 1 I went to Sarajevo in mid-July 1993 to stage a production of Waiting for Godot not so much because I'd always wanted to direct...

The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire.
May 1, 1994... New York: Poseidon Press, 1993. John Dizikes, Wayne Koestenbaum's per formance in book form, The Queen's Throat. Opera, Homosexuality, and the Mystery of Desire, has been, over the past year, the object of news stories as well as...

Opera in America: A Cultural History.
May 1, 1994... New Haven: Yale University Press, 1993. Wayne Koestenbaum's per formance in book form, The Queen's Throat. Opera, Homosexuality, and the Mystery of Desire, has been, over the past year, the object of news stories as well as reviews. Some...

Stuart Sherman's Seventh Spectacle (Yes and Noh).
May 1, 1994... The premiere of Stuart Sherman's Seventh Spectacle (Yes and Noh) took place on January 9, 1993 at the Ontological at St. Mark's Theater, New York. The body in which I performed that piece is, in fact, the very same body in which I created...