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Velvet Light Trap articles from September 1994
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Velvet Light Trap archives from September 1994
Introduction.(introduces series of article on the culture and international films)
September 22, 1994... HISTORICALLY, CERTAIN MODES OR GENRES have been viable across national borders while others have not. Most film industries outside of the United States have struggled long and hard over attempts to balance domestic popularity against the...
Some thoughts at an intersection of the popular and the national.
September 22, 1994... THE POINT OF DEPARTURE FOR WHAT FOLlows is an effort to worry, to the point of modification, the premise of the special issue in which this is contained--"National/Popular Cinemas" (which I take to mean something like "popular cinemas in...
"We must make the government tremble": political filmmaking in the South Indian State of Tamil Nadu.
September 22, 1994...
And rain descends
As chalices
Of blood
That Heroes shed
-- M. Karunanidhi, Rain (1)
He routs the tusker with his spear, pulls out
the one from his heart, and smiles.
-- Tiruvalluvar, Tirukkural...
Golden harvest films and the Hong Kong movie industry in the realm of globalization.
September 22, 1994... HOW DO WE MAKE SENSE OF THE MOVEMENT of culture in the world today? Until the last decade or two, the response to this question (by economists, political scientists, sociologists, anthropologists, etc.) usually involved conceiving of the world...
Negotiating differences national cinemas and co-roductions in prerevolutionary Cuba.
September 22, 1994... "Esta es Cuba, hermano." -Cigarette girl in a cabaret pushing the national over an Egyptian brand, Romance del Palmar (Cuba, 1938)
THE RECENT PROLIFERATION OF CO-PROductions between filmmakers in different Latin American countries and...
"I have a plan!" the Olsen Gang captures Denmark and Norway: negotiating the popular culture gap.
September 22, 1994... IN THEIR INTRODUCTION TO THE ANTHOLogy Popular European Cinema, editors Richard Dyer and Ginette Vincendeau point out that the very concept of a popular European cinema seems to rattle our preconceptions. To an American audience, even more...