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The Art Bulletin publishes scholarship in all aspects of art history as practiced in the academy, museums, and other institutions. The Art Bulletin publishes peer-reviewed scholarly articles and reviews in the area of art history.
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The contours of tolerance: Jews and the Corpus Domini Altarpiece in Urbino.
December 1, 2003... In the third quarter of the fifteenth century, the Confraternity of Corpus Domini, a brotherhood of laymen dedicated to honoring the body and blood of Christ, commissioned a monumental altarpiece for the high altar of its church in Urbino. Joos...
A palace of one's own: Stanislas I's Kiosks and the idea of self-representation.
December 1, 2003... The notion of self-representation, understood as a deliberate distancing from one's own political, cultural, and social contexts, emerged in the Enlightenment as an explicit goal of action. (1) Differing from the notion of representation, which...
France embraces Millet: the intertwined fates of The Gleaners and The Angelus.
December 1, 2003... In the summer of 1857, the year that Jean-Francois Millet (1814-1875) debuted The Gleaners (Fig. 1) at the Salon to a hostile, conservative response, he began work on the only other of his canvases that would come to fully equal its celebrity:...
Viewing the archive: Timothy O'Sullivan's photographs for the Wheeler survey, 1871-74.
December 1, 2003... When Beaumont Newhall, at the urging of Ansel Adams, brought survey photography into the Museum of Modern Art, he implicitly heralded the work of Timothy H. O'Sullivan (1840-1882) as a harbinger of modernism. In the years following the Civil...